I tend to like to write movie reviews on my blog, so I’m a little surprised at myself that I didn’t already give a review of the recently released Sin City. I was thinking about it yesterday, and anything I could do to encourage more people to go see this visual masterpiece would be worth the time spent writing. Keep in mind that I am in no way attempting to claim myself as a film critic, nor will I try and write as if I thought that I were one. Also note that while there are no “spoilers” in my discussion, some basic plot lines are outlined, but not beyond what any other reviews have included in their summaries.
The first thing that came to my mind when contemplating how to explain this film to someone who might want to see it is to say that if you liked Kill Bill Vol. 1 or 2, and especially if you liked both, you should really enjoy this movie as well. Don’t be fooled by the guest direction credit given to Tarantino (he was the director for one rather brief scene), as he was in no way was the creative design behind the film, but you can definitely see a similarity to his work, even if completely unintentional. To put it quite simply, the many enjoyable quirks of the film as well as the underlying themes can all be compared to those in Kill Bill quite easily.
Sin City is comprised of three distinct plot lines, yet the same characters find crossover, if even very briefly, from one story to the next, but never with a significant effect on the plot. The name of the game in Sin City is violence, and the cause, just as it was to the Bride, is revenge. Battles and gunfights are borderline cartoonish, along the same lines as a crime boss’s neck spurting blood rhythmically following a samurai sword’s swift release, courtesy of Lucy Lui. Although both are visually stunning, my reliance on Kill Bill to describe Sin City ends here when I say that the black and white comic book cinematography is completely unique and of its own flavor. Almost the entire film was shot against blue screen, which gives the character’s an eerie illusion of standing in a drawn world, even if the scenery behind them is photographic in reality. It is truly exclusive to this film.
I guess I haven’t mentioned yet that the film is based on a series of graphic novels by Frank Miller, hence the desire to approach the film in the style described above. The first story also happened to be my favorite, as Mickey Rourke’s return to the big screen is the runaway performance of the film. His flawed, but honorable, character is out to avenge the death of a hooker he knew but one night, a hooker whose dead body happened to be lying next to him the next morning. The twisted tale that remains is nothing short of disturbing, but ultimately quite fulfilling in the end.
The second story is arguably the least entertaining, despite the presence of Clive Owen, a British actor who is quickly becoming one of my personal favorites. Basically, a group of hookers with Clive’s help must stop evidence of a cop’s murder from escaping in order to maintain the sanctity of the world’s oldest profession in Basin (Sin) City. This story includes the guest direction of Tarantino, but ultimately this story was nothing more than a stepping stone between the two premiere stories the movie has to offer.
In the final offering, Bruce Willis is a cop who served time to protect a young girl from a Michael Jacksonesque (in surprisingly more ways than one) son of a senator, as the blame for the crime was shifted to his character for political reasons. Once his term is finally served he proceeds to seek out the same young girl he once saved, only now she’s grown into the unbelievably (and I really mean that, it seems impossible for her to ever look bad) beautiful Jessica Alba. To not give anything away from the story, I’ll simply note that this portion of the film includes what may be the most gruesome and graphic barehanded act ever allowed in an R rated film. Although the first story may be the best, the ending to the third installment may fit in better as a climatic scene, making it an appropriate way to end the movie.
On a side note, I first got interested in this film by watching Late Night with Conan O’Brien (side note within a side note: I hope to bring an article to you all soon that states why Conan is the best late night host I have ever seen). Within the two weeks of the release of this film the following actors from the film were featured on his show, and I may even be missing some – Benicio Del Toro, Jaimie King, Jessica Alba, Bruce Willis, Clive Owen, and Rosario Dawson. The amazing thing about all this is that the previews and late night shows don’t even begin to tell you how many stars make cameos in the film. Look for small roles from Josh Hartnett, Michael Madsen, Nick Stahl (John Connor in Terminator 3), and most surprisingly Elijah Wood, as a high flying kung fu fighting cannibalistic serial killer. Well, I hope my insight on the movie will encourage any of you who have planned to see it to get out there and give it a try. That’s all I have for now.